Susan Gundunas, Executive Director of CPP, is a critically acclaimed, award winning soprano and actor who has performed leading roles in operas, plays, musicals and recitals in Germany and across the United States. When not performing, Susan teaches acting workshops and voice privately in San Francisco and at UC Berkeley. In 2012 she founded the Complete Package Performer workshops, master classes and boot camps in order to give singers a practical chance to hone their craft in a supportive, uplifting but rigorous setting. For more information please visit her website at www.susangundunas.com
Pianist Jeffrey Sykes has performed throughout the United States, Canada, Mexico, Europe, Japan, and Chile. For the last eighteen years, Mr. Sykes served as the Music Director of Opera for the Young, a preeminent producer and presenter of opera for children that has introduced more than two million children to opera. He works extensively as a vocal coach throughout the US and teaches at the University of California at Berkeley. He also joined the faculty of California State University-East Bay in the fall of 2008 where he directs the piano accompanying and vocal coaching programs. Together with violinist Axel Strauss and cellist Jean-Michel Fonteneau, Sykes is a founding member of the San Francisco Piano Trio. He is the founder and artistic director of the Bach Dancing and Dynamite Society of Wisconsin, a highly-acclaimed and innovative chamber music festival now in its twenty-third season, and is a regular guest artist in the Cactus Pear Music Festival in San Antonio, Texas and Music in the Vineyards in Napa Valley, California. He has recorded for the Albany, CRI, Mandala, Centaur, and Cactus Pear record labels.
Jane Randolph’s 25 years of experience teaching voice to students has led her across North America. Her students have sung in major national and international opera companies and have been winners of countless prestigious competitions, such as the Metropolitan Opera National Council Auditions, the San Francisco Opera Auditions and the Operalia-Domingo Competition. After completing her studies at the University of California–Santa Barbara, the University of California–Los Angeles and the Hochschule für Musik in Freiburg, Germany, she enjoyed an extensive career in opera, recital and oratorio in the United States, Europe and Australia. Jane starts young singers on the right track and keeps seasoned professionals vocally healthy during a lengthy career. For the past 16 years, Jane has taught at the San Francisco Conservatory of Music. She also works privately at her studio.
Jose Maria Condemi’s directorial work, which has been presented by companies in North America and abroad, encompasses an eclectic range of styles and repertoire and has been consistently praised for its creatively theatrical and innovative approach.
Notable engagements include Carmen, Madama Butterfly, Faust, Tosca, Così fan tutte, Un Ballo in Maschera, The Elixir of Love for Families and the world premiere of The Secret Garden (San Francisco Opera), Ernani, Tristan und Isolde and Il Barbiere di Siviglia for Families (Lyric Opera Chicago), Aida (Houston Grand Opera), Luisa Miller (Canadian Opera Company), Orphee et Eurydice, La Bohème, Tosca and Il Trovatore (Seattle Opera), Frida (Michigan Opera Theater), Ainadamar, Don Giovanni, La Traviata, Il Trovatore and Maria de Buenos Aires (Cincinnati Opera), A Streetcar Named Desire (Kentucky Opera), Don Giovanni (Portland Opera), Cosi fan tutte and Il Barbiere di Siviglia (Atlanta Opera), Cendrillon (New Orleans Opera), The Elixir of Love (Opera Theatre of Saint Louis), Maria Padilla (Minnesota Opera), Florencia en el Amazonas (Opera Colorado and Utah Opera), Simone Boccanegra (Teatro Colon/Buenos Aires), Il Trovatore (Austin Lyric Opera), Tosca and Maria de Buenos Aires (Florida Grand Opera), La Traviata (Wolftrap Opera), Falstaff, Die Zauberflöte, L’elisir d’amore, La Rondine, Don Pasquale and La Traviata (Opera San Jose), Susannah and Roméo and Juliette (Festival Opera) and the San Francisco Opera Western Opera Theater’s national tours of Die Fledermaus and Don Giovanni. As Associate Director, he has worked on The Ring Cycle and Les Troyens (San Francisco Opera), Così Fan Tutte (Lyric Opera Chicago) Ballo in Maschera (Canadian Opera Company) and Falstaff (Houston Grand Opera.) Collaborations with contemporary composers include directing the world premieres of Hector Armienta’s River of Women and The Weeping Woman and the workshop performance of the San Francisco Opera commissioned piece Earthrise by 2000 Pulitzer Prize Lewis Spratlan.
His theater directing credits include Caryl Churchill’s Mad Forest, Dürrenmatt’s The Physicists, Dorfman’s Death and the Maiden and Lorca’s The House of Bernarda Alba.
Mr. Condemi is also in high demand as a trainer of young artists and has been a guest lecturer, master teacher and stage director for the San Francisco Opera Center, Seattle Opera Young Artists Program, San Francisco Conservatory of Music, Houston Grand Opera Studio, University of Cincinnati/CCM, University of Houston Moores School, Opera Theater of Lucca and the New National Theater Young Artists Programme in Tokyo. Highlights of his educational directing assignments include new productions of Suor Angelica, Gianni Schicchi, La Bohème and La Cenerentola for the Merola Opera Program and Così fan Tutte for the Seattle Opera Young Artist Program.
Originally from Argentina, Mr. Condemi received an undergraduate degree in Opera Stage Direction at the Teatro Colón/Buenos Aires and completed a Master of Fine Arts in Directing at the University of Cincinnati College-Conservatory of Music. He was also a first-time Adler Fellow in Stage Direction at the San Francisco Opera and a Fulbright Fellow
Upcoming directing engagements include new productions Tosca (Cincinnati Opera) as well as Carmen (Lyric Opera of Kansas City) and Don Giovanni (Arizona Opera.)
Condemi is currently the Director of Opera of the San Francisco Conservatory of Music and was Artistic Director of Opera Santa Barbara from 2010 until 2015 where he oversaw artistic planning and the Studio Artists Program.
Visual portfolio, review excerpts and calendar at http://www.josemariacondemi.com
Domenique Lozano is a Bay Area based Director, Educator and Actress. She has been a Resident Artist with the American Conservatory Theater, (ACT), for 15 years, where she was the resident director of the main stage production of A Christmas Carol. She also served as a core faculty member in the MFA Program, and a teacher in the Young Conservatory and Studio ACT Programs. Other directing work at ACT includes MFA Productions of Fuente Ovejuna, The Good Woman of Setzuan, Sueno, Happy to Stand, Saved, References to Salvador Dali Make Me Hot, Richard III, Caught with Her Trance Down, as well as productions of Twelfth Night, Othello, and The Comedy of Errorsfor the Will on Wheels tour; and thirteen graduate showcases. Her work with the Young Conservatory includes two international exchanges, one with the Zurich School of Music, Drama and Dance of Paul Steinman’s Only Victory; as well as Jodie Marshall’s A Stone’s Throw, with the Aberdeen International Youth Festival. Other YC directing credits include the world premieres of Staying Wild book by Janet Allard, music and lyrics by Creighton Irons; Home Front book by Craig Slaight, music and lyrics by Creighton Irons; Tim Mason’s The Life to Come; Sarah Daniel’s Dust and Constance Congdon’s Nightingales; West Coast premieres of Jeffrey Hatcher’s Korczak’s Children; Wendy MacLeod’s School Girl Figure; and Darling, book by Brett Rybeck, music and lyrics by Ryan Scott Oliver; as well as the American premiere of Sharman MacDonald’s After Juliet.Other new musical work with the Young Conservatory includes I’m Still Standing, book by Craig Slaight, music and lyrics by Elton John; and Fields of Gold, book by Craig Slaight, music and lyrics by Sting
Ms. Lozano serves on the Theatre, Dance and Performance Studies faculty at UC Berkeley, where she teaches Shakespeare Scene study, Acting Styles and Acting, as well as having directed the Fall 2018 production of Tartuffe. She has recently completed work with the San Francisco Opera, teaching an Acting Intensive with the Adler Fellows. Ms. Lozano has taught throughout the Bay Area at such institutions as UC Davis, Saint Mary’s College, Berkeley Repertory School of Theatre, California Shakespeare Theater, Las Positas and Solano Colleges.
Ms. Lozano was an Associate Artist with the California Shakespeare Theater, where she performed leading roles in over 20 productions, most recently the Nurse in Romeo and Juliet, Madame Arcati in Blithe Spirit, and Beatrice in Much Ado About Nothing. She also served as Master Vocal Coach on numerous productions, including Hamlet, Henry IV pts 1 and 2, Othello, the Tempest, Macbeth, The Comedy of Errors, and The Taming of the Shrew.
Additional Bay Area directing credits include The Drawer Boy, Welcome Home Jenny Sutter and the critically acclaimed Orlando with TheatreFirst; The Countess with Center REPertory Theatre; Two for the Seesaw with Marin Theatre Company; Inspecting Carol and the West Coast premiere of Jane Martin’s Anton in Show Business with San Jose Stage Company; and The Norman Conquests, Holiday, The Real Thing, and She Loves Me with Napa Valley Repertory Theatre, of which she was a founding member and associate artistic director. Additional acting credits include work with the American Conservatory Theater, Berkeley Repertory Theatre, Center REPertory Company, San Jose Repertory Theatre, San Jose Stage Company, and the Oregon Shakespeare Festival.
Ms. Lozano also translated Brecht’s The Caucasian Chalk Circle, which premiered at the American Conservatory Theater in 2010, and Schiller’s Don Carlos, which premiered in the 2018 New Strands Festival.
Stephen Guggenheim is an accomplished opera singer having sung leading operatic roles throughout the world. His career highlights include singing the roles of Tito in La Clemenza di Tito and Edgardo in Lucia di Lammermoor with the San Francisco Opera, Don Jose in Carmen with L’Opera de Lyon and on tour to Guam and Japan with the San Francisco Opera.
Stephen originated the title role in Thea Musgrave’s Simon Bolívar with Virginia Opera and later singing selections from Simon Bolívar during the annual BBC Promenade Concerts in London’s Royal Albert Hall with the Scottish National Symphony. Stephen was a participant in the Merola Opera Program with the San Francisco Opera where he was awarded an Adler Fellowship. He sang Rodolfo in La Boheme in Japan with the San Francisco Opera and the role of Achilles in the North American premiere of Sir Michael Tippett’s King Priam under the baton of Donald Runnicles. Stephen is also an accomplished Cantor having served Temple Beth Jacob in Redwood City, California and Temple Emanu-El in San Jose, California.
In late 2016, he will return to New York to perform the role of Mayor Gronam Schmegegi in the Off-Broadway premiere of The MeshugaNutcracker!, an original musical he co-wrote and co-produced.
In his role as coach and teacher, Daniel has been on the staffs and faculties of the Juilliard School, the San Francisco Opera, Opera San Jose, the San Francisco Conservatory of Music, Chapman University and the Aspen Music Festival, and Cal State East Bay. He is currently professor of Collaborative Piano at Notre Dame de Namur University in Belmont, and Staff Accompanist at Mills College, Oakland.
He has been the musical director for many shows and theatrical productions, including I Do! I Do! andFiddler on the Roof, both in Los Angeles and New York. Daniel has a particular passion for Stephen Sondheim, and has had the opportunity to be the musical director for several Sondheim reviews at the Marin Theatre Company, including Summer Nights of Sondheim, Side by Side by Sondheim, and You’re Gonna Love Tomorrow. For the Pleasanton Children’s Theatre, he musically directed Into the Woods as well as at Notre Dame de Namur University. For the same university he musically directed The Light in the Piazza. For the main stage at Marin Theatre Company he made his conducting debut with Sondheim’s Company directed by the late Albert Takazaukus. Since then, he has musically directed and accompanied several shows for their “Words and Music” series, including Love is in the Air, Pure Gershwin, Bernstein on Broadway, September Song, the Great Broadway-Sing-a-Long, a Berlin Kabarett with soprano Angelina Reaux and Frostiana by Randall Thompson, conducted by Daniel’s wife, Jenny Matteucci. . For the same company he collaborated on a 2-piano version of Kurt Weill’s Lady in the Dark. For the San Francisco Performances series, “Salons at the Hotel Rex”, he performed a recital of the solo piano pieces of George Gershwin. In 2005, Daniel musically directed and performed with some of the Bay Area’s leading musical theatre and cabaret performers, including Lisa Vroman, in a 75th birthday celebration for Stephen Sondheim. The live concert, Simply Sondheim, has been recorded and is available on i-tunes.
He has collaborated with noted composer Craig Bohmler on several productions: for the Willows Theatre he assisted the composer on Mountain Days: the John Muir Musical, performed at the Concord Pavillion and for the San Jose Repertory Theatre, Bohmler’s the Haunting of Winchester. In addition, he was music director for Bohmler’s Enter the Guardsman, which was performed aboard the cruise ship QE2. (Subsequently, Mr. Lockert developed and directed a Broadway review, also featured on this cruise line.) Most recently, Mr. Lockert was music director for a staged reading of Bohmler’s All the More to Love, the real life story of the “colorful” dress shop of the same name, formerly owned by Daniel’s wife, Jenny Matteucci.
Daniel has taught and coached students for special Sondheim projects at the American Conservatory Theatre in San Francisco and has been a vocal coach for the summer Music Theatre Conservatory at Notre Dame de Namur in Belmont, CA.
Daniel is active as a cabaret pianist and singer, having collaborated with many San Francisco Bay area performers at the former Plush Room, the New Conservatory theater, 42nd Street Moon, Martuni’s, Society Cabaret (SF and San Jose) and Feinstein’s. With his wife, Jenny Matteucci, they perform and sing together as the Mattlock Duo with music ranging from Fats Waller to Ricky Ian Gordon.
Shannon Guggenheim has enjoyed an ongoing career as a producer, choreographer, playwright, librettist, emcee, educator, graphic designer, and theatre administrator. Early on, she worked for local and regional theaters as a leading actress before joining a touring company to entertain audiences throughout the West Coast. That job lead to an administrative position for California Theatre Wing where she worked her way up to Director of Public Relations and Marketing, honing her skills as a choreographer and playwright along the way. Most recently, Shannon and her colleagues opened The Retro Dome, a ’60s themed performing arts center that offers a new event each weekend in San Jose, CA. An award-winning actress and playwright, she is also the co-creator and original performer of numerous one-act and full-length musicals including the critically-acclaimed Thanks for Playing…The Game Show Show! for which she was honored as Best Choreographer and Best Leading Actress for her performance as Frankie Marks by BroadwayWorld.com. Other recent roles include her critically acclaimed performances as Patty Andrews in Sisters of Swing: The Story of the Andrews Sisters, Calliope in Xanadu, and Red Girl in Shout, the Mod Musical. Her musical, The MeshugaNutcracker, was seen in over 400 cinemas nationwide when it premiered with Fathom Events. She is also a producer and marketing director of all programming for 3Below.
Jenny Matteucci, known for her flexibility of style, performs, directs and conducts in many different venues all over the San Francisco Bay Area. As a young singer, Jenny relocated from Davis, Ca. to San Francisco to study at the San Francisco Conservatory of Music. She soon became active in the San Francisco theatre and cabaret scene where she continues to perform today. Her recent appearances include: “Music Man” (Mrs. Paroo) Broadway By the Bay, “Man of La Mancha” (Maria) Custom Made Theater, “Beauty and the Beast” (Madame de la Grande Bouche) Berkeley Playhouse, Woodminster and The Mountain Play. “Side by Side by
Sondheim” Douglass Morrision Theater, “Chicago” (Mama Morton) Woodminster Summer Theater and Stage One, “Berlin to Broadway” with Masquers Playhouse, Marmee in “Little Women” and Margaret Johnson in “The Light in the Piazza” with NDNU, and Steve Silver’s Beach Blanket Babylon. She has performed with Theater Works and Marin Theater Company which included the popular Words and Music series. Her greatest passion is to perform her cabaret show entitled “For the Love of…” along with her husband Mr. Daniel Lockert. Jenny also played herself in the Craig Bohmler/Marc Jacobs musical All the More to Love, which was based on the real-life, plus- size consignment store of the same name that Jenny owned with her mother, Erna.
Ms. Matteucci is currently the conductor of the Festival Chamber Chorale, and the Festival Chorus for the Mendocino Music Festival. For the past 25 years, she has conducted choirs for the Oakland Diocese and for Tri-Valley Repertory Theatre’s Broadway Chorus, a chorus of 100+ singers of all ages, singing the music of Broadway. She and her husband Daniel Lockert team up for masterclasses for such organizations as the National Association of the Teachers of Singing (NATS) and Lamplighters. During the past year, Daniel and Jenny created The Sausalito Song Society, which is a concert series for local singers and lovers of song.
As an educator, Jenny is part of the voice faculty of Notre Dame de Namur University and also runs a busy private voice studio in her home. She holds a BFA and MFA in Vocal Performance from Notre Dame de Namur University. For NDNU, she recently directed Cendrillon, Opera Rocks, The 25th Annual Puntam County Spelling Bee (Broadway World nominee for best director), and was assistant director for Lettice and Lovage (Hillbarn Theater), and was Co-Director for De España Vengo at NDNU. Her passion for vocal and choral repertoire has inspired her to create many cabaret, and small venue shows.
Jenny lives in Oakland with her husband, Daniel, and is the proud mother of two adult children Will and Beth, and a perfect dog named Maurice.
Faculty for Summer Boot Camps 2013, 2014, 2016
Raeeka Yaghmai is an expert empowerment coach for professional creatives, voice teacher & opera singer. Her transformational coaching program “Successful Musician Mindset” (SMM) helps musicians at all levels in group or private settings to get rid of the self-doubt & the infamous ”starving artist” mentality, by building, empowering & sustaining their core confidence and mindset, so that they can perform at their optimal level, rock their auditions & performances, & create a prosperous, successful & happy life on and off stage. Her coaching program also helps successful and established creatives to preserve, promote and increase their potential. She has been invited to work with the students of the San Francisco Conservatory of Music, The Complete Package Performer Summer Intensive Program as well as BASOTI (Bay Area Summer Opera Theater Institute) and share her coaching program. In 2014 she will be a guest speaker for the prestigious San Francisco Design Center and her Coaching company “Creating with Confidence” will be offering individual and group classes. For information you can visit www.raeeka.com and www.creatingwithconfidence.com.
Since 1985 Jonathan Khuner, has been Musical Director of (Berkeley) West Edge Opera. He is prompter and assistant conductor at San Francisco Opera, Metropolitan Opera of New York, and Lyric Opera of Chicago. Last November he conducted Tannhäuser at the National Theater in Tirana, Albania – that country’s first ever production of any Wagner opera, and Das Ringchen at Minnesota Concert Opera. Khuner has taught at many workshops, including Opera Academy of California, California Opera Association (Fresno) and BASOTI. He inaugurated and led an opera scenes program at UC Berkeley for four years. This summer at West Edge Khuner is conducting full productions of La Bohème and Jake Heggie’s The End of the Affair. He very frequently gives classes and lectures for San Francisco Opera.
American mezzo-soprano Catherine Cook has excelled in a wide range of roles with leading companies throughout the United States. The Cincinnati Post wrote that she “more than once recalled the great mezzo Marilyn Horne: her luxurious voice showed remarkable flexibility.” Her exciting characterizations garner acclaim as well. Following recent performances of La Cenerentola, the San Francisco Chronicle exclaimed, “As Tisbe, the younger of the two stepsisters, mezzo-soprano Catherine Cook continued her seemingly endless streak as one of the company’s great underused treasures, combining forceful singing and sly comic charm into an irresistible package.”
She has performed more than 45 roles to date with the company, including Suzuki in Madame Butterfly, Tisbe in La Cenerentola, Marcellina in Le nozze di Figaro and La Frugola in Il tabarro. Cook is a graduate of the Cincinnati College-Conservatory of Music, where she was the winner of the Norman Triegle Award in opera and the same year was a Metropolitan National Council Winner. Cook’s students have been winners in many vocal competitions, including the Metropolitan Opera Auditions, and are chosen to participate in many apprentice programs throughout the country. In addition to maintaining a full voice studio, she holds annual audition workshops in the Bay Area and teaches Audition Workshop for Singers at the San Francisco Conservatory of Music. Catherine Cook can be contacted at firstname.lastname@example.org
Both opera director and mezzo-soprano Marla Volovna made her operatic debut in Besancon, France as Adalgisa in Bellini’s Norma and went on to sing leading operatic roles all over France. Ms. Volovna co-founded and acted as main stage director for the Apollo Opera Company, from 1989 to 2003 directing such operas as “Madame Butterfly”, “Carmen” and “Rigoletto” which received enormous acclaim. Currently Stage Director for Marin Baroque, Ms Volovna directed Handel’s, “Acis and Galatea”,last Spring and upcoming, Blow’s “Venus and Adonis”. Ms. Volovna has taught at the University level for thirteen years as well as master classes in vocal technique, “Acting for Singers” and “Acting the Aria” at the renowned Opera Institute of the Colon Theater in Buenos Aires. For more information, refer to: www.volovnavocalstudio.com
To read Marla’s blog, please visit MARLAVOLOVNA.WORDPRESS.COM